All posts by negrocomics

Eugenio Negro is a satirist from San Jose, California. He has been a regular contributor to The Nose Milk, and likes to do literary buddy projects with other writers. --Make friends with him on Google+ and Tumblr. --Need something quality to read? Pick up one of Negro's books for your reading device at Amazon.

Cañada del Oro Wildflowers, Geocache Quached

Finally got up to Cañada del Oro, my favorite favorite place to bum around, last Saturday, to see the wildflowers. Though this is the most reliable place I know of in the San Ho area to see an astounding variety of wildflowers, I was somewhat nervous to see Indian Paintbrushes before the heat gets them. Saw this cool turkey on the way in, but I had to shoot the photo into the sun…

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Shitty digital Canon Elph lens was NOT cooperating to catch these blue dicks! You can eat them… IMG_2435

Shooting stars in the daytime!

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Finally the Indian Paintbrush showed up. I’m pretty sure the one below with the serrated leaves is also a kind of paintbrush, but someone can comment and fill me in.

IMG_2439IMG_2438Finally, I nabbed a bit of geocached plastic pollution! It’s been signed and stamped and commented upon by such as Mia Quiche, Fleetwood 7 and others. I took that shit back to the city and recycled it. Fuck your plastic geo-trash, Fleetwood 7!

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2-Strats and las ilusiones

2-Strats and Cornhouse visit the local getting place and experience perception and stuff.Negro2StratsIlusiones

Star-Crossed II by Julia Barbosa Landois

Here’s some people gazing at Julia Barbosa Landois‘ 2013 piece Star-Crossed II at MACLA on Fisting Friday. It’s a video featuring a ranchera tune about breaking up with Jesus. Landois came all the way from San Antonio to come talk about it.

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Landois spoke briefly to the crowd assembled at MACLA about how she started in painting and progressed over time to working in other media such as video in order to better suit her stories. Her speech and her website lead me to believe that she’s been in bands and stuff in the past.

Myself I thought the karaoke bit that marks Star-Crossed II was really captivating and that it motivates the viewer to get into the piece. I asked Landois privately what her warmup tune is for a good night of karaoke but she said she doesn’t do it. Then I asked if she ever interviews herself while washing dishes etc., in order to practice figuring and explaining what her stuff is all about, and she said she sometimes does. Interesting!

The piece is part of MACLA’s Chicano/a Biennial. I love how MACLA always finds artists who keep the medium, the look, very simple for their very complex stories. Bravo and good eye, MACLA! Also present is a prison toilet glazed with a large array of information about the prison experience. Really, everything in the Biennial is excellent.

Lucky for all you ignoramuses who may go see the piece, it has English subtitles so you may not feel threatened by the strangeness of the Spanish language, a language spoken by almost half a billion people on a huge percentage of the planet’s dry surface, even though you went into a space that promotes Latino-ness in order to see it, since apparently there are ZERO bilingual people on the entire internet to read this article, but only segregated Spanish and English speakers, as segregated as you all drool to be in your safe suburban or hip urban coffins. Consider yourself stroked, primped, preened, prepared.

New Tech-Inspired Sculpture in Guadalupe River

Here’s the Coleman Avenue bridge, by the big shopping center at Taylor, where the recent floods have provided for the latest sculpture to hit San José, this time in the middle of the river. Like many sculptures in the city, it’s a meaningless technical exercise, an immense MS Paint job executed by not even an amateur but a disinterested user. The title of the piece is “Interpolating Concepts,” grabbed mid-paragraph from the piece’s indecipherable pseudo-philosophical justification, which is attached to the river bed and visible only to divers.

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“Interpolating Concepts”

The medium is pile of sticks and tree trunks on a plinth of rocks with support from a live tree.20170225_161628

When in fifty years, when the vacuous tech-boom society of Google employees collectively decides, based on a single meme, that this is the most important art of their era, and the artist is asked about his motivation, he’ll have nothing to say but that his boss commissioned it in order to show some long-vanished investors the company’s edgy design ideas, much like the inverted 3D-printed cone on the steps of the Convention Center.

The piece unfortunately took very little logistics to produce, practically zero quarterbacking of dealmaking with Chinese suppliers, and therefore practically zero child laborers were exploited in order to produce it, unlike the iPhone. Americans get off on the idea that everything they consume, including art materials, are produced under the most egregiously, unnecessarily harmful and exploitative means, because it amplifies their sensation that “we’re lucky to live here,” even though they themselves cause the rest of wherever else to not be so lucky a location.

The sculpture, nonetheless, unfortunately doesn’t really hit the latter points in any way.

Conjoined by Natalie Watkins

Natalie Watkins is a figure and portrait artist from Stockton (*I gather)  with really nice business cards, whom I met at Local Color’s zine fest. She’s put her watercolors and stuff into a zine called Conjoined:

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Here’s one of her Trump portraits, which go cheap and would make great gifts or decorations for homes, offices, classrooms and public drinking establishments.

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I don’t know if the portrait is rendered in blood and feces, but that’s what I like to think when I gaze. Watkins says the following about her work: “I do not aim to be a realist painter because I love manipulating the photograph with color and brush strokes.”

Get on Etsy and grab her stuff while it’s cheap!

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2-Strats and the Boabab

At band practice, 2-Strats debuts his latest opus. Luke-Ass and Cornhouse aren’t going for it, and in his rage 2-Strats threatens to use force.

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