Tag Archives: ben passmore

Ben Passmore Cartoon on the Nib

Congratulations to the Nib for getting a great writer, and to Ben for getting a bigger audience! The article is called “Black Lives Matter, the ACLU and Respectability Politics.” It puts the ACLU in their place, it tries to ram into your dumbfuck white internet-liberal face how Black Lives Matter is stuck in a compromise with its oppressor’s society (YOU), and, as always, shines the historical light on anarchism’s role in democracy, something this country’s sense of history badly needs.

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Picture by Ben Passmore. Screen-captured out of respect and collegiality only.

Besides a lot of things, one thing I really dig about Ben is how much research he puts into everything, and how he makes his sources visible. Make sure to check out his other comics too.

https://thenib.com/black-lives-matter-the-aclu-and-respectability-politics

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Goodbye by Ben Passmore

Saw the cats from Owl Bike or whatever at the Local Color gallery’s zine fest in downtown San José and seized on the opportunity to find out whence all the commotion about Louisiana artist Ben Passmore‘s comic Goodbye.

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Besides being surprised by the smallness of its quarter-sheet format (because the ad I got in the mail is legal size? Were they trying to impress me?), one association I made for myself when I first started reading was that both Goodbye and Pantomime Horse have a frame of this dead guy lying on the ground, who ends up representing a major conceit in the book revealed later.

I’ll give Ben this commendation: his stuff makes us want to reread it, largely because he has a skill for illustrating and talking around themes rather than hitting them on the nose, which many of us don’t, either for lack of skill, focus or confidence.

Goodbye deals impressively with values, action, and dialectic. In the comic, Passmore transports us from a somewhat startling shift in perspective about yuppie vacationing, through a mysterious and doubtlessly magical explosion, into a self-aware allegory about the conflict within a person over what counts as meaningful intentions and effective action. On the spectrum (sorry, Ben!), Passmore is much more a writer than an artist although the neat and tidy art has its charm.

In guiding us through this dialectic, Passmore wisely begins with the sense of community that we had when we were stupid, unmobilized kids with lots of time and few commitments, rather than shooting straight for self-critique about direct action against the fuckeries of late capitalism and anti-intellectualism. He makes a genuine case for the tiny sweetness found between people when partying and trying to figure it all out. He makes fun of bay area outwanderers (scheiss Auswanderer!) who impose their whatever on our scene –if only they’d move to red states in order to influence federal-level voting trends like Bernie’s meme machine said to without gentrifying our fucking domestic light beer establishments! Believe me Ben, I’m in San god damn José, where they paved the valley of the heart’s delight to make the god damn eBay, and I feel you.

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He then makes a joke about group sex and lands us in the lap of a local anarchist, soon to draw us into his spirit with a breath of the aging process and times gone by. Ultimately his message is for us to find the common ground and get together again. What, then, does goodbye mean? Maybe it just means that parting is not the end, but rather the beginning of many happy returns.

As noted above and in our comments on Pantomime Horse, Passmore seems always to be talking around the invisible on several levels, one of them usually comprising hilarious and true imagery from the circles of people in which we operate, and one that’s very personal and spiritual, and which colors the reportage with its tone.

Ben could be a great artist one day as long as he avoids the ironic bullshit and stays on target. Goodbye should get its due respect in the short story world. I wonder if Bird in the Hand or whatever know what they have in him. Get Goodbye! Get several copies and give it as a gift! As Ben rightly reminds us, there are no rights to reserve!

San Jose Local Color Zine Show Haul

Imagine if you can that we finally had a bitchin zine show in San Ho at the Local Color gallery on first street, in the exorcised building long tenanted by a Ross. Éxitos Gnosis and I got caught unawares and didn’t table, but we will be there next time for sure. As always, shocked to see that I know like a quarter of the people at bay area zine shows regardless of time, and as always charmed by the young people pushing onward with the form.

Here’s my haul from the show. Reviews to follow. We got Black Tea #2 and #3 from my homeslice Jason Martin, who also did the illustrated stories behind Dylan albums and shit, 1001 Black Men by Ajuan Mance, Ben Pissmore’s Goodbye, Megan Delyani’s Purissima, and Mic.Kit’s I am nothing but garbage, which was exhibited at Caffe Frascati.

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I’ve wanted that god damned illustrated Atrocity Exhibition since I was 17 and now I have it … signed by Vale, pendejos! I think I did him a small service telling him what an impact his RE-Search work has had on me in my life.

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Pantomime Horse 1 by Ben Passmore

Ben Passmore is an artist living in New Orleans and of course dipshit me just now found out about him. Got an ad in the care package from Birdcage Bottom (who also distribute Those Dark New Hampshire Woods) about his apparently funny Goodbye, and now my friends at Èxitos Gnosis just brought me back Pantomime Horse 1 from Skylight Books in Hollywood. Passmore is great, to paraphrase the white supremacist and child rapist you just elected president, and you all should check out his stuff.

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The zine is intentionally as in-the-moment and ambiguous as possible, swinging for the purpose of explanation between two worlds that presumably represent different generations of a family. What I like most is how Passmore presents a narrative in pictures but then has the characters talk around an unspoken truth at the center of the story. Not to bring up 2666 again, but it reminded me of the toilet water circling around the void that is the narrative style of 2666. I guess I’ll have to read the rest of them to find out.

It ends with a letter addressed to someone with whom the speaker was confined to a place he or she had to flee from. It may be written by Passmore the person or by some character. All in all, a rousing and spooky zine. Thanks Ben! Visit him at Day Glo Ayhole.