Ben Passmore is an artist living in New Orleans and of course dipshit me just now found out about him. Got an ad in the care package from Birdcage Bottom (who also distribute Those Dark New Hampshire Woods) about his apparently funny Goodbye, and now my friends at Èxitos Gnosis just brought me back Pantomime Horse 1 from Skylight Books in Hollywood. Passmore is great, to paraphrase the white supremacist and child rapist you just elected president, and you all should check out his stuff.
The zine is intentionally as in-the-moment and ambiguous as possible, swinging for the purpose of explanation between two worlds that presumably represent different generations of a family. What I like most is how Passmore presents a narrative in pictures but then has the characters talk around an unspoken truth at the center of the story. Not to bring up 2666 again, but it reminded me of the toilet water circling around the void that is the narrative style of 2666. I guess I’ll have to read the rest of them to find out.
It ends with a letter addressed to someone with whom the speaker was confined to a place he or she had to flee from. It may be written by Passmore the person or by some character. All in all, a rousing and spooky zine. Thanks Ben! Visit him at Day Glo Ayhole.
It’s finally here, gente! My gentri-fi novel Meat Ladder to Mars about a young professional who leans out, as it were, has been so graciously published by those crazy cats Éxitos Gnosis. It’s available for download at Amazon Kindle and they will print the book in May sometime. Go get yerself an ebook, they’re cheap! If you love it or hate it, consider leaving a review on Amazon as well. Enjoy!
Here’s the blurb:
Zosime, once an important crewmember at the doomed sky ladder, is now under one of the world’s largest landfills, loading an antiquated space shuttle with unprotected livestock. Suddenly the world-wandering heroine is given the choice to follow her heart and heal her family or follow orders.
Using the gentri-fi genre, Eugenio Negro presents the moment before colonization of the planet Mars. Negro’s controversial story examines the economic and cultural forces at work in the Mars mission, and asks: is space exploitation the dream of all humankind?
Here’s a QR code: